CANNES CHRONICLES
CANNES CHRONICLES
Tilda Swinton: Cinema isn't propaganda, but a refuge for committed outcasts
IN THE NEWSROOM
L’Orient's behind-the-scenes, a 'bit like the Tower of Babel'
FUNDRAISER FOR LEBANON
'Going back to see the sun in Lebanon': Immense emotion at the IMA solidarity concert in Paris
VISUALS ARTS
Catching one’s breath in Tamara Haddad’s forests
CANNES CHRONICLES
Rami Malek: Being the first Arab actor to win the Oscar brought hope to the region
CINEMA
'The momentum of Palestinian cinema,' a source of pride and heartbreak for Palestinians
Green, yellow, and red, or who’s actually living through the war
IN THE NEWSROOM
Inside the newsroom: Covering the other side of the dividing line
CANNES CHRONICLES
Julianne Moore: Why I no longer want to make films with bombs and explosions
LEBANESE HERITAGE
Gebran, a Syrian author? Controversy over artwork in New York honoring Lebanese writers
CINEMA
Palestinian voices, recorded in secret: Aida Kaadan’s stirring act of defiance
CRAFTSMANSHIP
A Tripoli shop woven from time: Hajj Omran and 7 generations of craft
CANNES 2026
With 'La Sentinelle,' Ali Cherri delivers one of the festival's most powerful films
MUSIC
40,000 spectators, FIFA, and Jason Derulo: Ibrahim Maalouf's wild year
BREAKFAST IN BED